Crossroads
Unclasping bracelets and slipping off rings,
nothing could occupy more careful importance--
no quarrel, no eye, no feelings, no footsteps--
she is the mute, the statue, the stone,
shocking in her coldness.
And footsteps? What footsteps? That which is
in her chest, trying to escape her skin, blurs
all vision and mutes all sound. She turns,
hopeful, but he is already gone, a ghost,
a glimmer, a flickering pale reflection.
2 Comments:
Thanks Patrick. It was inspired from a scene in Anna Karenina, which I am almost finished reading. She's quarreling with her lover, and trying to punish him with her cold indifference. He comes to say something to try to patch things up, but she wants him to suffer so she acts like she doesn't see him. Then after he leaves, she wants him to come back, and she is the one who ends up suffering, because he is justified in trying to mend things and she is justified in nothing.
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